![]() The tympani with that 4006 sounds like you are in the room next to musician, I could not be happier with the way that recording turned out.” ![]() Also, the development of the sound from the tympani and the double bass is a difficult thing to capture. No matter how often you tell students how to aim their instrument at a microphone, they’re going to move. I chose the 4006 for bass and tympani to achieve a more consistent sound, as well as for the double bass to reduce the potential for tone variation. I wanted the miniature mics to serve as a contact mic to ensure that the room didn’t get in the way. “I selected the 4060s for the violins to minimize the accumulation of room tone when the string instruments are layered in multiple passes. ![]() “The DPA mics worked just as expected,” Steinman notes. I knew the DPA mics would be an excellent solution for this unique situation, and we deployed them for all of the strings, flute, and percussion instruments.”įor the production, Steinman employed one DPA 4006 omnidirectional mic on each double bass and tympani, along with a 4011 cardioid mic on each cello and the flute as well as two on the harp, a 2011 twin diaphragm cardioid for acoustic guitar, 4060 miniature omnidirectionals on two violins and one viola, and two of the 4015 wide cardioid mics for percussion. “As a professional audio engineer, I am very familiar with DPA’s products and have used some of their 4011 mics for live and recorded applications in the past. “Since the performers were recorded in their own separate dorm rooms, I needed microphones that didn’t add any coloration and delivered an exceptionally natural sound,” he says. Going in, he knew he was going to have to rely on different equipment and setups than previous years for presenting and recording the show. While the show looks different than it has in the past, we were still able to use the exceptional talents of our students, faculty, staff and alumni while following COVID protocols to make Christmas at DePaul a reality this year.”ĭan Steinman, one of the professors in the University Sound Recording Technology Department, was instrumental in helping to make the show a success. “The show’s artistic director, Tony Peluso, and production manager, Jamie Davis, both alumni of DePaul, worked closely with the university to create a plan that would allow us to pre-record our show. “We had to make the call very early that we were not going to have an in-person event this year,” explains Melissa Grady, Director of Operations & Events at the university. DePaul University in Chicago recently presented its 14th annual “Christmas at DePaul” holiday celebration as a virtual event with an assist from DPA Microphones.
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